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'The Snow Queen': Toys in the attic
Courtesy of American Repertory Theater
“There are sheets, mattresses, sticks and chairs — everything you’d use to build forts as a kid,” says “Snow Queen” director Allegra Libonati.
Unlike prime time fairy-tale-with-a-twist hits “Once Upon A Time” and “Grimm,” American Repertory Theater’s newest play, “The Snow Queen,” is a throwback to simpler storytelling.
“We’ve designed the stage like an old Victorian attic where children come to hear this story every year,” says director Allegra Libonati. “There are sheets, mattresses, sticks and chairs — everything you’d use to build forts as a kid.”
The Hans Christian Andersen tale is about two best friends: Kai, who is kidnapped by an evil winter enchantress, and Gerda, the girl who embarks on an epic adventure to rescue him. There’s a castle and a princess, flying reindeer and a devilish goblin. Many of the characters are puppets, made with cardboard and papier-mache.
Libonati says that the show is meant to empower kids through their imagination. The plot, though, is an allegory of growing up.
“What’s amazing about fairy tales is that they really deal with the inner workings of personal development,” the director explains. “They’re deep with psychological issues.”
As a society, there’s no doubt that we’re drawn to the classic stories, represented on TV, the big screen and modern literature.
“Why right now?” Libonati muses. “When things start to crumble on the practical scale, we look inward. On a dream level, fairy tales help us through the different trials of life.”
Cold reality
The Snow Queen represents winter. Like the character, the season “can be exquisite and sparkling, but also dangerous and vengeful,” says Libonati.
“We’ve designed the stage like an old Victorian attic where children come to hear this story every year,” says director Allegra Libonati. “There are sheets, mattresses, sticks and chairs — everything you’d use to build forts as a kid.”
The Hans Christian Andersen tale is about two best friends: Kai, who is kidnapped by an evil winter enchantress, and Gerda, the girl who embarks on an epic adventure to rescue him. There’s a castle and a princess, flying reindeer and a devilish goblin. Many of the characters are puppets, made with cardboard and papier-mache.
Libonati says that the show is meant to empower kids through their imagination. The plot, though, is an allegory of growing up.
“What’s amazing about fairy tales is that they really deal with the inner workings of personal development,” the director explains. “They’re deep with psychological issues.”
As a society, there’s no doubt that we’re drawn to the classic stories, represented on TV, the big screen and modern literature.
“Why right now?” Libonati muses. “When things start to crumble on the practical scale, we look inward. On a dream level, fairy tales help us through the different trials of life.”
Cold reality
The Snow Queen represents winter. Like the character, the season “can be exquisite and sparkling, but also dangerous and vengeful,” says Libonati.
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