What’s going on with Shia LaBeouf and ‘Orphans?’
Credit: Getty Images
Shia LaBeouf recently dropped out of the Broadway production of ‘Orphans’ citing creative differences and disagreements with fellow actor Alec Baldwin.
The news is not particularly shocking. We imagine these types of things happen in the theater world all the time. Right?
Last night LaBeouf released his apology email to Baldwin over Twitter. We tend to keep our apology emails private (or you know, just apologize to someone in person) but to each his own.
LaBeouf’s email read:
My dad was a drug dealer. He was a sh-t human. But he was a man. He taught me how to be a man. What I know of men, Alec is-
A man is good at his job. Not his work, not his avocation, not his hobby. Not his career. His job.
A man can look you up and down and figure some things out. Before you say a word, he makes you. From your suitcase, from your watch, from your posture. A man infers.
A man owns up. That’s why Mark McGwire is not a man. A man grasps his mistakes. He lays claim to who he is, and what he was, whether he likes them or not.
Some mistakes, though, he lets pass if no one notices. Like dropping the steak in the dirt.
He does not rely on rationalizations or explanations. He doesn’t winnow, winnow, winnow until truths can be humbly categorized, or intellectualized, until behavior can be written off with an explanation.
A man knows his tools and how to use them – just the ones he needs. Knows which saw is for what, how to find the stud.
A man does not know everything. He doesn’t try. He likes what other men know.
A man can tell you he was wrong. That he did wrong. That he planned to.
He can tell you when he is lost. He can apologize, even if sometimes it’s just to put an end to the bickering.
Alec, I’m sorry for my part of a dis-agreeable situation. – Shia.
Who knew LaBeouf was such a wordsmith. Don’t get too excited, he’s not.
It turns out LaBeouf completely plagiarized an essay published in Esquire titled “How to Be a Man” in 2009.
The original text is:
A man is good at his job. Not his work, not his avocation, not his hobby. Not his career. His job. It doesn’t matter what his job is, because if a man doesn’t like his job, he gets a new one.
A man can look you up and down and figure some things out. Before you say a word, he makes you. From your suitcase, from your watch, from your posture. A man infers.
A man owns up. That’s why Mark McGwire is not a man. A man grasps his mistakes. He lays claim to who he is, and what he was, whether he likes them or not.
Some mistakes, though, he lets pass if no one notices. Like dropping the steak in the dirt…
He does not rely on rationalizations or explanations. He doesn’t winnow, winnow, winnow until truths can be humbly categorized, or intellectualized, until behavior can be written off with an explanation…
A man knows his tools and how to use them – just the ones he needs. Knows which saw is for what, how to find the stud, when to use galvanized nails…
A man can tell you he was wrong. That he did wrong. That he planned to. He can tell you when he is lost. He can apologize, even if sometimes it’s just to put an end to the bickering.
A lazy apology or another diss toward Baldwin? In any case, well played, Shia. Well played.
Follow Mary Ann Georgantopoulos on Twitter @marygeorgant
