US – Tuesday, February 9
The week's releases
Metro staff reviews the latest CDs, DVDs and books for your reading pleasure.
 
Stern: I’d do ‘Idol’ for $100M
Howard Stern took to his radio show yesterday to address the rumors that he’s a possible replacement for Simon Cowell for the next season of “American Idol.” To sum it up? He’s not going for it.
 
Dancing while the skinny lady sings
You’ve heard of the jukebox musical? David Parsons and singers AnnMarie Milazzo and Tyley Ross of the East Village Opera Co. offer a jukebox opera, playing nightly at the Joyce. Eleven Parsons dancers share the stage with Milazzo and Ross, who clutch microphones cranked to 11 and stroll through the action. On the recorded soundtrack, three drummers create a wall of sound so loud you — well, I — want to hide under the seat. Digital video of abstract patterns, natural landscapes and stunning architecture change for each song.
 
The facets of Anne Frank and her diary
Generations of schoolchildren have read and recognized their own experiences in the words of Anne Frank, finding surprising commonalities with this young girl despite the passage of generations and the unique horror of  her situation. But according to Francine Prose’s fascinating new account of the writing of Frank’s diary, our veneration of her outpourings has eclipsed a proper assessment of Anne Frank — conscientious author.

 
Channing Tatum on love and war
Channing Tatum has worked in his fair share of genres, from indie films (“A Guide to Recognizing Your Saints”) to dance flicks (“Step Up”) to blockbusters (“G.I. Joe”). In his latest, “Dear John,” the Alabama native takes on a heavy Nicholas Sparks love story about a soldier in love while at war. He talks with us about true love and blowing stuff up.
 
Updated 22:32, March the 10th, 2009
 
The Muses are also part of an R.E.M. tribute at Carnegie Hall tonight (www.remtribute.com for info).  The Muses are also part of an R.E.M. tribute at Carnegie Hall tonight (www.remtribute.com for info).  
 

Listening to the Muses

Kristin Hersh talks about the angels and demons that informed her career

“[My songs are] my gods and my devils, and it turns out I need them.” Hersh 

 

Kristin Hersh moved her teenaged band, Throwing Muses, to Boston in the mid-1980s not to pursue glitzy urban notoriety, but because they recognized the homegrown solidarity of the city’s music scene.

The Muses and their fellow bands (think Dinosaur Jr. and the Pixies) all wanted to be there, and were all supposed to sound like themselves — not like the money-making fantasies of a corporate business model. Soon, however, Throwing Muses signed with British label 4AD, and were abruptly removed from their enclave.

“We didn’t want the world; we wanted Boston,” Hersh says on the phone from Rhode Island, laughing warmly. “We toured non-stop, signed with Warner Bros. soon after. We were introduced to the ickiness of the American recording industry, where you’re asked to suck, to sound like other people and dumb it down, to dress like a bimbo — to do anything you can to make it easier for them to convince preteens to listen to you.”

Asking Hersh to fall in line with a homogenized standard is like asking Jackson Pollack to paint a Bob Ross landscape. Her oblique songwriting style, which has produced one of the most unique bodies of work of the last 20 years, is the result of “auditory hallucinations.” Songs come to her, transmissions from some unseen source, and she copies them down.

“The day that songs started happening was a scary day,” she says. “I call this my music, and yet it tends to come from somewhere else. They’re my gods and my devils, and it turns out I need them.”

Hersh has regained creative autonomy as an independent musician, releasing solo material and work by her other band, 50 Foot Wave, online via the non-profit organization CASH Music.

She’s come full-circle back to a grassroots, community-based system.

“Though I used to consider myself a scientist working in my lab, I had been altering the results to please the sponsors. Now I do my experiment as honestly as I can and because the results are true, they’re appreciated. That’s all I’ve ever asked for.”

Throwing Muses
Tomorrow, 9 p.m.
Music Hall of Williamsburg
66 N. Sixth St., Brooklyn
$20, 718-486-5400
www.bowerypresents.com