US – Tuesday, February 9
The week's releases
Metro staff reviews the latest CDs, DVDs and books for your reading pleasure.
 
Stern: I’d do ‘Idol’ for $100M
Howard Stern took to his radio show yesterday to address the rumors that he’s a possible replacement for Simon Cowell for the next season of “American Idol.” To sum it up? He’s not going for it.
 
Dancing while the skinny lady sings
You’ve heard of the jukebox musical? David Parsons and singers AnnMarie Milazzo and Tyley Ross of the East Village Opera Co. offer a jukebox opera, playing nightly at the Joyce. Eleven Parsons dancers share the stage with Milazzo and Ross, who clutch microphones cranked to 11 and stroll through the action. On the recorded soundtrack, three drummers create a wall of sound so loud you — well, I — want to hide under the seat. Digital video of abstract patterns, natural landscapes and stunning architecture change for each song.
 
The facets of Anne Frank and her diary
Generations of schoolchildren have read and recognized their own experiences in the words of Anne Frank, finding surprising commonalities with this young girl despite the passage of generations and the unique horror of  her situation. But according to Francine Prose’s fascinating new account of the writing of Frank’s diary, our veneration of her outpourings has eclipsed a proper assessment of Anne Frank — conscientious author.

 
Channing Tatum on love and war
Channing Tatum has worked in his fair share of genres, from indie films (“A Guide to Recognizing Your Saints”) to dance flicks (“Step Up”) to blockbusters (“G.I. Joe”). In his latest, “Dear John,” the Alabama native takes on a heavy Nicholas Sparks love story about a soldier in love while at war. He talks with us about true love and blowing stuff up.
 
Published 18:45, October the 6th, 2009
 
From left, Bradfield, bassist Nicky Wire and drummer Sean MooreFrom left, Bradfield, bassist Nicky Wire and drummer Sean Moore
 

Preachers find new crowds to convert

>Manic Street hitting the States for the first time in a decade >The band talk about revisiting material written by their missing co-founder

The Manic Street Preachers’ first American tour in 10 years celebrates a new album of bristling lit-rock, “Journal For Plague Lovers.” But, really, crossing the pond was a case of now or never. 

“If we didn’t go with this record, it was like we’re never ever touring America again,” says singer and guitarist James Dean Bradfield. “As soon as we relaised that, that was it.”

Also, the Welsh rock band’s hugely successful album, “Send Away the Tigers,” which remains unreleased in the U.S., brought them a renewed  audience in Europe, taking them to countries they’d never  played before, and renewing the band’s energy.

“We’ve had the experience of playing to audiences who waited for us. We thought if we go back to America, it’s going to be new for us. At this point in our careers, anything new is good.”

Yet, working on “Journal For Plague Lovers” returned the Manics to the past, to once again use lyrics by the band’s erstwhile co-founder Richey Edwards. The wordsmith and guitarist disappeared in early 1995, just before the band was headed for a pivotal career-making American tour. Edwards was never found, but months earlier he gave his friends three journals packed with lyrics. It took many years, however,  before the Manics could face Edwards again.

“The prospect of doing it scared us. We had this responsibility toward Richey, but we had to wait for old feelings and trauma to subside. Once we did it, I realized this is the closest I’d get to ever having the band whole again.”

The late(?!) Richey EdwardsThe late(?!) Richey Edwards
 

“Journal For Plague Lovers” offers the opportunity to reassess Richey Edwards’ artistic legacy. His slashed arms and starved appearance, not to mention likely suicide, built Edwards into a dysfunctional legend. These songs introduce a dissatisfied seer and tangential thinker with a wealth of observations and ideas that he possibly hadn’t fully grown into. Even so, he was never one to hold back. “Richey’s words were always famous for being full of intent and no punctuation,” says Bradfield. “Sometimes you have to edit it. That’s only a small part of the process. Some songs I used all the lyrics that were on the page.”

Manic Street Preachers
Tuesday, 7 p.m.
World Cafe Live
3025 Walnut St., Philadelphia
$24-$34, 215-222-1400
www.worldcafelive.com

Wednesday, 7 p.m.
Webster Hall
125 E 11th St, New York
$25-$30, 21+, 212-353-1600
www.websterhall.com

Thursday, 9 p.m.
The Paradise
967 Comm. Ave., Boston
MBTA: Green B Line to Pleasant
$20, 18+, 617-562-8800
www.thedise.com