US – Tuesday, February 9
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Let me count the ways ...
‘Tis the season for writing love letters. But that can be a daunting endeavor, especially when you’re not sure where to start. Should you put it in verse, use flowery language, get erotic? As with almost anything in life, the simpler you keep it, the easier (and often better) it will be. It doesn’t sound that romantic, but think of your love letter as a laundry list of the reasons why you adore your sweetheart. It’s kinda like Elizabeth Barrett Browning’s Sonnet 43: “How do you love your partner? Count the ways!” Here’s how to do it without rhyming or pulling out a thesaurus:
 
Published 02:22, October the 21st, 2009
 
Stagehands are making big bucks at Carnegie Hall.  Stagehands are making big bucks at Carnegie Hall. 
Photo: GETTY IMAGES
 

The best job at Carnegie isn’t on stage

Stagehands

Carnegie’s stagehands make a lot more than the performers. A few facts:

1 $1,200 to $1,600 a week before 2007 strike. New five-year contract details were not released but reports stated they won a 25 percent raise over its duration.

2 Overtime clearly adds a lot to the pay at Carnegie.

3 Job description: Prepare Carnegie’s three stages for performances and operate audiovisual and sound fixtures.

4 Carnegie Hall had a $40.2 million operating shortfall in 2007-08.

 

The guys who push the piano onto the stage at Carnegie Hall make more than the guy who plays it.

Dennis O’Connell, who oversees props at the legendary concert hall, made $530,044 in the fiscal year that ended in June. A concert pianist making $20,000 a night would have to give 27 performances to beat him.

The four other members of the full-time stage crew — two carpenters and two electricians — had an average income of $430,543 during the same period, according to Carnegie Hall’s tax return. Only theater director Clive Gillinson earns more with his $946,581 in salary and benefits.

The stagehands have a powerful union: Local One of the International Alliance of Theatrical Stage Employees shut down 26 Broadway shows for nearly three weeks in November 2007. Its strike cost the city $40 million, the city comptroller said at the time. Stagehands and producers agreed on a five-year contract that both sides called a compromise.

Labor historian Joshua Freeman said the union’s power to shut down a vital part of the city’s entertainment industry gives it leverage.

 
 
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MMMpod
The February MMMpod features conversation from Ozzy Osbourne. Michael Emerson from "Lost" tells us about his days enjoying punk rock in Boston. We also dig up an old interview from the late great Howard Zinn. We have a song from Delta Spirit and The Soft Pack, who tell us where they got their name.

 
 
Metro Life Panel