Jackson rehearsal movie is full of contradictions and raw power
Dancing machine
Jackson's fluid dancing is awe-inspiring, and it even inspires such a
reaction from his beefcake dancers, who for a good portion of the film
are just watching and applauding their boss. The other portion they're
nailing the acrobatic dance moves and looking kind of like juiced up Fraggles.
“This Is
It”
Cast:
Michael Jackson
Director:
Kenny Ortega
Rating:
PG
Grade: ➊➋➌➍➎
REVIEW. In the
seven months since Michael Jackson announced his plans to perform a series of
concerts to be called “This Is It,” the intended interpretation of the phrase —
a final extended celebration to crown an amazing career in show business — has
dwindled down to mean “this is all we have left.”
The movie
resulting from the rehearsals for the 50 shows holds a little bit of both
meanings, which actually gives it a very powerful emotional punch.
The
performances captured are said to have only been intended for Jackson’s
personal use, so it’s hard to fault the film for being unpolished, which it
definitely is, and we’re given such a clear glimpse of Jackson the performance
perfectionist, that watching him behind-the-scenes feels voyeuristic, knowing
that he would have never allowed such a rough film to be shown to his fans were he
still alive. He is caught between bitching to his musicians, “I want it like the
way I wrote it,” and the next moment thanking God for them.
“Human
Nature” will raise the hairs on your arms and you won’t be able to resist
snapping along to “Billie Jean” but then you have to watch Jackson make
unconscious self-deprecating remarks about his performance.
It is
within this field between opposite energies that “This Is It” sets itself so
far apart from any other concert film that has come before it. And because of
Jackson’s untimely death, this film is how we’re invited to celebrate his life,
and our own lives in how his music relates to us.
It’s just
more than a little frustrating that the production he and his crew were working so
hard towards would never come to be, and that the day after he encourages the
team to take audiences to “places they’ve never been before” is the day he
died. But that is where the tragic beauty of this film lies, that his final
dream was never realized, that this is it.