US – Tuesday, February 9
The week's releases
Metro staff reviews the latest CDs, DVDs and books for your reading pleasure.
 
Stern: I’d do ‘Idol’ for $100M
Howard Stern took to his radio show yesterday to address the rumors that he’s a possible replacement for Simon Cowell for the next season of “American Idol.” To sum it up? He’s not going for it.
 
Dancing while the skinny lady sings
You’ve heard of the jukebox musical? David Parsons and singers AnnMarie Milazzo and Tyley Ross of the East Village Opera Co. offer a jukebox opera, playing nightly at the Joyce. Eleven Parsons dancers share the stage with Milazzo and Ross, who clutch microphones cranked to 11 and stroll through the action. On the recorded soundtrack, three drummers create a wall of sound so loud you — well, I — want to hide under the seat. Digital video of abstract patterns, natural landscapes and stunning architecture change for each song.
 
The facets of Anne Frank and her diary
Generations of schoolchildren have read and recognized their own experiences in the words of Anne Frank, finding surprising commonalities with this young girl despite the passage of generations and the unique horror of  her situation. But according to Francine Prose’s fascinating new account of the writing of Frank’s diary, our veneration of her outpourings has eclipsed a proper assessment of Anne Frank — conscientious author.

 
Channing Tatum on love and war
Channing Tatum has worked in his fair share of genres, from indie films (“A Guide to Recognizing Your Saints”) to dance flicks (“Step Up”) to blockbusters (“G.I. Joe”). In his latest, “Dear John,” the Alabama native takes on a heavy Nicholas Sparks love story about a soldier in love while at war. He talks with us about true love and blowing stuff up.
 
Published 23:51, November the 5th, 2009
 
Photo: GETTY IMAGES
 

Late-night’s changing face

Talk is cheap

Why are comedians opting to host late-night shows rather than star in sitcoms?

According to Gross, it all comes down to financing. “There are more opportunities [to host], because talk shows are easy to start and very easy to end,” he says. “[Networks] don’t have to put much money into building a set, hiring writers.”

 

David Letterman. Jay Leno. Conan O’Brien. Jimmy Fallon. Craig Ferguson. Jimmy Kimmel. All funny. All men. All straight. And all white.

But this year marks a change in that late-night landscape. This weekend, African-American comedian Wanda Sykes (who happens to be a lesbian) premieres “The Wanda Sykes Show” on Fox, while Mexican-American star George Lopez launches his “Lopez Tonight” talk show on TBS Monday. Last month saw the premiere of “The Mo’Nique Show,” the plus-sized funny lady’s weeknight, late-night talk show on BET.

In the matter of a few days, late-night will become one of television’s most diverse niches — but it’s not an unprecedented move. University of Southern California Communications and Media Professor Larry Gross, who focuses on media portrayals of minorities, says that compared to, say, sitcoms, talk-show formats are generally kind to minorities.

“Talk-show hosting is a role that the public accepts odd casting in,” says Gross. “The examples in particular are Arsenio Hall, of course, but also Ellen and Oprah — if [these new hosts] are willing and able to put their personal identity in the background, it can work. The reason Oprah and Ellen are so successful is that they don’t run your nose in their differences.”

Don’t bring up “differences” or “challenges” to Mo’Nique. “I’m one of the boys, baby,” the comedian insisted while promoting her show this summer.  “[My writers] don’t look at [this show] and say, ‘Oh, well, we’ve got a challenge because you are a woman. We’ve got a challenge because you are a black woman in late-night.’ ... We are not worried about everybody else.”

And despite his position as the first Latino in late night, Lopez claims he feels no pressure. “I only feel added pressure because apparently in some parts of the country, I’ll be up against novellas,” he jokes. “I don’t feel any pressure to do anything other than what I’ve been doing the last 30 years, and it is making people laugh.”

 
 
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MMMpod
The February MMMpod features conversation from Ozzy Osbourne. Michael Emerson from "Lost" tells us about his days enjoying punk rock in Boston. We also dig up an old interview from the late great Howard Zinn. We have a song from Delta Spirit and The Soft Pack, who tell us where they got their name.

 
 
 
Metro Life Panel