US – Sunday, March 21
Updated 19:58, December the 1st, 2009
 
Mortensen, left, and Smit-McPhee stay close to “The Road.”Mortensen, left, and Smit-McPhee stay close to “The Road.”
Photo: COURTESY OF DIMENSION FILMS
 

Viggo’s difficult ‘Road’

Into the wild

Production on the film took the cast and crew out into the wilds of Pennsylvania, Oregon and Louisiana, exposing them to the elements. Mortensen says it was that aspect that really pushed his performance to where it needed to be.

“As much as we didn’t like it, the fact that we were so cold and we were wet all the time and tired actually helped us,” he says. “Let’s say it hadn’t been a relatively low-budget movie, and it had been shot with green screen. It just wouldn’t have been the same. It forced us to places emotionally.”

 

Listening to Viggo Mortensen describe production on the big-screen adaptation of Cormac McCarthy’s Pulitzer Prize-winning novel “The Road,” you’d think he’s been through the book’s post-apocalyptic events himself.

“At the end, there was a sense of satisfaction in having gotten through it OK,” he says. “If the movie turns out well, then fine. But the actual experience was intense.”

The movie indeed turned out well, with Mortensen already garnering Oscar buzz for his portrayal of an unnamed father navigating the ravaged, cannibal-lurking highways of the U.S. after a disaster, trying to keep his young son (newcomer Kodi Smit-McPhee) safe. But it was a role the actor wasn’t originally interested in taking on. “I was reluctant,” he admits. “I initially said, ‘I don’t think so.’ I said to my agent, ‘I can’t. I’m really worn out. I won’t be focused.’ And then I looked at the story and I thought, ‘Well, being worn out? That works.’”

Once he’d signed on, Mortensen threw himself into his usual process for preparing for a role. “I tried to do things that I thought would be helpful, like listening to certain kinds of music, watching certain kinds of movies to get me in a certain state where I could go to those places that the character demanded emotionally,” he says.

But the usual techniques didn’t work for this project. “It was very different than any other role. ... It’s about being naked emotionally and just being honest about it,” he says.

 
 
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MMMpod
The March MMMpod features conversation and music from Surfer Blood and The Allman Brothers Band (There's a double-bill you're not too likely to see. However, Gregg Allman does mention Hannah Montana!). We also speak with Vampire Weekend and the Dropkick Murphys.
 
 
 
Metro Life Panel