US – Sunday, March 21
The week's releases
Metro staff reviews the latest CDs, DVDs and books for your reading pleasure.
 
SXSW ’10: Get your dance on, great songs optional
The trends that emerged from the SXSW Music Conference in Austin last week are still bubbling to the top as I make sense of the hundreds of songs that filled the city for four days, but one thing I definitely noticed is that popular music may soon have a lot more emphasis on flexibility.
 
Metro’s spring ’10 guide to television
Check us out all this month for our picks for the best series premieres, season returns and must-see episodes.
 
Just when it couldn’t get worse for Bullock, here come the neo-Nazis
Sure, it’s Monday, but it could be worse — you could be Jesse James. On Saturday, James went back to work at West Coast Choppers, days after allegations surfaced that he cheated on his wife, Sandra Bullock, with a tattoo model. Us Weekly notes he was wearing a wedding ring.
 
Taking on a blockbuster
If the name Stieg Larsson isn’t familiar, the cover of his globally best-selling book may provide instant recognition, considering the novel is reaching Harry Potter-level ubiquity. The film adaptation follows suit, blowing box office records all over Europe for its roundly praised, faithful rendition of the story of two detectives (of sorts) who uncover family scandals in search of a woman who has been missing for 40 years. We sat down with director Niels Arden Oplev to chat about his version of the tale.
 
Published 20:11, February the 4th, 2010
 
John Travolta, Marisa Mars and Jonathan Rhys Meyers, from left, star in “From Paris with Love.”John Travolta, Marisa Mars and Jonathan Rhys Meyers, from left, star in “From Paris with Love.”
Photo: RICO TORRES
 

John Travolta ruins a lovely trip to ‘Paris’

‘From Paris with Love’
Director: Pierre Morel
Cast: John Travolta, Jonathan Rhys Meyers
Rating: R
Grade: ➊➋➌➍➎

John Travolta is to “From Paris with Love” what Jar Jar Binks is to the “Star Wars” prequels: If only that one annoying character would get shot or vaporized, perhaps the marginally enjoyable flick would be saved. Too bad that in the case of “Paris,” Travolta is more than a lame CGI effect.

His hulking rebel CIA agent, Charlie Wax (is it us or did he quadruple his size since his Tony Manero days?), is a ghost of every leading tough guy. You know — seemingly makes dangerous choices, which always prove to be the most sensible ones in the end. His performance is gratingly overacted, from the time he first appears to the moment he whips out a “Royale with Cheese” in a nauseating nod to the last time he was actually likable on film — 16 years ago in “Pulp Fiction.”

The suave Jonathan Rhys Meyers, with a convincing American accent, makes an odd foil to Travolta when they are sent on a counterterrorism mission in Paris. The story itself is a fast-moving adventure whenever Travolta’s hammy one-liners don’t get in the way. That’s to the credit of director Pierre Morel, who fared much better with 2008’s “Taken,” in which he had the good sense to hire Liam Neeson instead of another Jar Jar.

HEIDI PATALANO
 
 
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MMMpod
The March MMMpod features conversation and music from Surfer Blood and The Allman Brothers Band (There's a double-bill you're not too likely to see. However, Gregg Allman does mention Hannah Montana!). We also speak with Vampire Weekend and the Dropkick Murphys.
 
 
 
Metro Life Panel