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<title>metro.us - Arts</title>
<link>http://www.metro.us</link><description /><language>en-us</language><item>
<title>Icing on the ‘Ace of Cakes’</title>
<description>For a reality TV show, “Ace of Cakes” presents an almost unheard of
problem to fans. Instead of delving into petty problems between
castmates, it focuses on the cake — no backstabbing, no messy hook-ups,
no drama except the occasional bumpy fondant. Which is fine, until you
fall in love with cutie decorator Jeff and what to know more than his
theories on royal icing.</description><link>http://www.metro.us/us/article/2009/11/20/08/3934-82/index.xml</link></item><item>
<title>These Orphans are not afraid to play with ‘Dolls’</title>
<description>

Ryan Landry and his Gold Dust Orphans have long been having their
way with some of the greatest films of all time. Finally, the men,
women and not-so-easily-identifiable members of this ridiculously
talented troupe take on the big kahuna of camp, “Valley of the Dolls.”</description><link>http://www.metro.us/us/article/2009/11/20/06/5734-82/index.xml</link></item><item>
<title>The weirdly wonderful world of Urs Fischer</title>
<description>

He’s been lauded around the world as an “art-world rock star,” but
36-year-old Swiss artist Urs Fischer insists his work is rooted in the
simplest of instincts.</description><link>http://www.metro.us/us/article/2009/11/19/02/4727-82/index.xml</link></item><item>
<title>A return to Renaissance</title>
<description>To research his historical piece on the Harlem Renaissance,
“Uptown,” Ailey star Matthew Rushing used modern technologies. “YouTube
was a great help.  I searched for Charleston and Lindy Hop, started
purchasing books and DVDs,” he explains. “Part of the dance is called
‘Rent Party’ — the Harlem Renaissance is where rent parties started.”</description><link>http://www.metro.us/us/article/2009/11/19/02/4411-82/index.xml</link></item><item>
<title>Vampire mania without Dracula would sure suck</title>
<description>Set 15 years after the original, “Dracula: The Un-Dead” shares many of
the same characters — including Mina and Jonathan Harker, and Lucy’s
suitors, John Seward and Arthur Holmwood — and unveils them to be,
well, in a state of post-traumatic stress after slaying Dracula...</description><link>http://www.metro.us/us/article/2009/11/18/22/5257-81/index.xml</link></item><item>
<title>This fest makes waves</title>
<description>

If your New Year’s resolution is to think outside the Broadway box,
look no further than the Under the Radar fest, held Jan. 6 to 17 at The
Public Theater, which exhibits new, independent and sometimes radical
theater and performance from the U.S. and around the world. </description><link>http://www.metro.us/us/article/2009/11/18/22/3840-82/index.xml</link></item><item>
<title>You are now entering the ‘Nightlight’ zone</title>
<description>

The members of the Harvard Lampoon had two reasons for writing their
“Twilight” parody. “One of our super-goals is to meet Stephenie Meyer,”
says Matthew Grzecki, president of the student-staffed magazine and one
of the authors of “Nightlight: A Parody” (Random House, $14).</description><link>http://www.metro.us/us/article/2009/11/18/06/3529-82/index.xml</link></item><item>
<title>Exploring every ‘Avenue Q’ puppet</title>
<description>The fuzzy puppets that inhabit “Avenue Q” won’t teach their audiences
how to sing the ABC’s. These mature Sesame Street-like adult puppets
have real problems: sex, racism, morals and finding a purpose in life.  </description><link>http://www.metro.us/us/article/2009/11/18/00/2952-77/index.xml</link></item><item>
<title>We all speak Simpson-ese</title>
<description>Does Barack Obama speak Simpsons?</description><link>http://www.metro.us/us/article/2009/11/17/06/0509-82/index.xml</link></item><item>
<title>Looking for a few ‘Good Men’</title>
<description>Manhood in our culture is up for grabs. Just think Eliot Spitzer, Bernard Madoff, even David Letterman.</description><link>http://www.metro.us/us/article/2009/11/17/00/5715-81/index.xml</link></item><item>
<title>It’s all work and two plays for local writer</title>
<description>

With two plays running simultaneously in Philadelphia and New York,
playwright P. Seth Bauer’s work is certainly getting around. Add to
that the recent production of his play “Karma Cookie” by 1812
Productions, and Bauer appears to be the hardest working writer in
Philly. </description><link>http://www.metro.us/us/article/2009/11/13/04/3305-82/index.xml</link></item><item>
<title>Eating cleaner foods</title>
<description>This winter, skip the lackluster diet of meat and potatoes. “Buy one
new seasonal produce item a week, and experiment with it,” dares
cookbook author and food counselor Terry Walters. </description><link>http://www.metro.us/us/article/2009/11/13/02/3432-82/index.xml</link></item><item>
<title>T Time: Week of November 13th, 2009</title>
<description></description><link>http://www.metro.us/us/article/2009/11/13/00/4507-77/index.xml</link></item><item>
<title>‘The Roof’ is on fire at the Opera House</title>
<description>A good production of “Fiddler on the Roof” should send you out into
the street singing (if only in your head) one of its many famous
musical numbers. </description><link>http://www.metro.us/us/article/2009/11/12/05/1523-82/index.xml</link></item><item>
<title>Dancing about history — an absurd ‘Proposition’?</title>
<description>

Though choreographer Bill T. Jones is not onstage, his sense and
sensibility are all over “Serenade/The Proposition,” currently at the
Joyce.</description><link>http://www.metro.us/us/article/2009/11/11/22/2026-82/index.xml</link></item><item>
<title>Animals are illuminated</title>
<description>

Jonathan Safran Foer doesn’t write beach-friendly books. His debut
novel, “Everything is Illuminated,” examined the Holocaust, family and
tradition while spinning three separate stories through the main
character’s broken English. His latest, the nonfiction “Eating
Animals,” is no less ambitious, taking on factory farming and our
bizarre, complex relationship as a culture with food and animals. </description><link>http://www.metro.us/us/article/2009/11/10/04/3446-82/index.xml</link></item><item>
<title>‘A Tale of Two’ actors</title>
<description>

Robin Eldridge is all about method acting, whether intentional or
not. As Victorian lady Lucie Manette in “A Tale of Two Cities,” she
lays eyes on her father for the first time in 18 years. </description><link>http://www.metro.us/us/article/2009/11/10/04/3012-82/index.xml</link></item><item>
<title>A breath of fresh air in new gallery</title>
<description>

In the abstract art world, Jason Hackenwerth has a blockbuster on
his hands. His massive balloon sculptures have been in high demand
since 2004, and like an indie rocker with an unexpected hit, he now
spends much of his time in airplanes and hotels, en route to his next
installation. “I guess it’s because it’s so colorful and unusual,” says
Hackenwerth. “Kids love it. Anyone can love it. You don’t need an art
degree to appreciate it.”</description><link>http://www.metro.us/us/article/2009/11/06/06/3944-82/index.xml</link></item><item>
<title>Author or lab rat? He’s got both covered</title>
<description>

A.J. Jacobs has done some difficult things in the name of research.
For his 2004 book “The Know it All,” he read all 33,000 pages of the
“Encyclopedia Britannica.” Then for 2007’s “The Year of Living
Biblically,” he spent 365 days adhering to scripture. Even so, he
wasn’t prepared for the month he had to practice Radical Honesty for
his latest, “The Guinea Pig Diaries.”</description><link>http://www.metro.us/us/article/2009/11/06/06/3124-82/index.xml</link></item><item>
<title>T Time: Week of November 6, 2009</title>
<description>Where to go and what to do!</description><link>http://www.metro.us/us/article/2009/11/06/00/3641-77/index.xml</link></item></channel></rss><!--cache control: force proto cache-->