On her latest album, “Funstyle,” indie pop princess Liz Phair is up for making fun of everything from soccer moms to scenesters to, well, herself. But, she tells Metro, her songwriting is not about mockery, it’s all about empathy.

“I think that as I get older, I’m more willing to show that I have doubts and insecurities,” the 43-year-old Chicago native says. “I feel like we’re all in life together and one of the things I’ve always fought for is that we should tell each other the truth.”

All of which might sound deeply serious, but “Funstyle” lives up to its name, meshing rap, raga, bhangra, R&B and even spacey electronic soundscapes with Phair’s trademark harmonic indie pop. It’s a swings and roundabouts mix that flies from upbeat to melancholic and back again.

“I’m either really big picture or immediately right down in it,” explains Phair of her emotional scope.

The record includes an intriguing bonus disc, “Girlysound,” which collects rarities and demos that predate Phair’s tour de force debut, 1993’s “Exile In Guyville.” Even when heavily doused in irony and bravado, Phair thinks truthfulness is an especially crucial element to her work, and these older songs show that’s always been the case.

“Honesty’s become increasingly important to me. I mean, it was in my earlier work anyway,” she says. “I just didn’t know then how much it was going to be.”

Liz Phair
with The Everyday Visuals
Dec. 15, 8 p.m.
The Paradise
967 Comm. Ave., Boston
$22.50, 18+, 800-745-3000

Other hot tickets

Annie Darcy Band
Tuesday, 8 p.m.
2 Arrow St., Cambridge
This prewar-style jazz band, an offshoot of last year’s interactive play “Sleep No More,” will entertain you with their dueling sultry female singers, performing Christmas tunes (so many of which were written in that era) and other swingin’ fare. The event includes singalongs, curbside carolers and holiday cocktails.

Black Nativity
Dec. 17 through Dec. 19
Northeastern University Blackman Auditorium
360 Huntington Avenue, Boston
The Gospel of St. Luke and the poetry of Langston Hughes are the basis for this account of the 2,000-year-old Nativity. Even if you’re a devout atheist, something spiritual will seep into your soul, and you’re likely to leave this performance tellin’-it-on-the-mountain.