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Murphy, Stiller live up to tall order in Heist

It’s hard to believe that two of the most prominent figures in moderncomedy, Eddie Murphy, 50, and Ben Stiller, 45, hadn’t crossed pathsbefore their most recent release, Tower Heist.

It’s hard to believe that two of the most prominent figures in modern comedy, Eddie Murphy, 50, and Ben Stiller, 45, hadn’t crossed paths before their most recent release, Tower Heist.

But not surprisingly, the two were anxious to work together for this movie, which was largely improvised. “The comedy comes out of the characters so for me, I wasn’t looking to see how funny I could be,” Stiller says.

“And then of course when you have Eddie Murphy in the movie, it takes a lot of the pressure off. I was really happy he was in the film. I never look to be funnier because that just doesn’t work.

“Does that make sense?” Stiller pauses in front of a packed room of journalists mocking himself with an imaginary headline.

“Stiller: Not Looking to be Funnier. Maybe he should,” he says.

Murphy had the original idea for Tower Heist years ago, though it’s since been given a very timely twist.

It centres around a Bernie Madoff-like businessman (played by Alan Alda) who swindles his employees out of their pensions. Angered by the fraud, some rogue vigilantes out of the group devise a plan to steal the money back. Given that the ‘Occupy’ movement persists in the U.S. and elsewhere, Stiller noted the connection between the film and the headlines.

“I think there’s a lot of frustration out there that’s valid and that’s probably what the Occupy Wall Street is an expression of,” he says. “There’s a lot of frustration in terms of where we’re at in this economic situation and so I understand where it’s coming from.”

But don’t get them wrong. Tower Heist is no grim exploration of dire economic times. With the ensemble cast that includes Casey Affleck, Matthew Broderick, Michael Pena and Gabourey Sidibe, there were many spontaneously hilarious moments in the film.

Murphy remembers — or perhaps fabricates? — filming a scene in which his character flirts with Sidibe’s.

“[Director Brett Ratner] whispered to the [director of photography] ‘dim the lights!’ And then, all of a sudden, Gabourey’s top is off,” he says. “And then it became a whole different type of scene. Ben was completely nude, just watching. I’m saying, ‘what’s happening? What’s happening?’ [Producer Brian Grazer] is like, ‘just go with it.’

“We go with it for about 40 minutes. I’ve never been in a scene like that. You’ll have to get the DVD. It’s a special feature.“

Filming in New York

Since this film centres around a prominent Central Park building, Stiller commented on the most noticeable contrasts between L.A. and New York.

“I think what you notice when you’re in L.A. is that you don’t have to deal with the elements. Jerry Seinfeld said to me recently, ‘I like living in New York because it’s harder.’ He likes that. He likes that you have to deal with the winter and just life is a little bit tougher. It’s more in your face. I think that’s something that shapes who New Yorkers are. There’s a lot of people in one place and I think that’s a really good thing too – where people have to interact with each other on a daily basis.”

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