Even the grandiose display of Boston Ballet’s “The Nutcracker” can’t totally communicate the massive amount of artists, time and materials it took. It’s even more impressive considering that artistic director Mikko Nissinen’s reimagined production of the holiday classic was built entirely from scratch in 2012.
He conceived the latest version, set in the Jane Austen-era of the early 1800s, with help of designer Robert Perdziola who turned 40 full-color sketches into striking costumes and sets. “The set design is fantastic,” says lighting designer Mikki Kunttu, who has also worked with the Finnish National Ballet and the Royal Danish Ballet. “It’s among the best I’ve seen.”
Now in its fifth year under Nissinen, the ballet will yet again tell the magical tale of Clara and her holiday adventures with the Nutcracker Prince.
Ahead of its Nov. 25 opening, here’s some background on the how the Boston Ballet puts together such a spectacular performance.
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• Approximately 1,000 yards of hand-painted net fabric was used for the “Waltz of the Flowers” costumes.
• Three pieces of scenery move at once in some scenes, controlled by rigging and tracking systems on monstrous steel cages made by the ballet’s technical staff.
• The show’s iconic Christmas tree is 42 feet 6 inches tall.
• 600 ornaments and 766 fiber optic points were embedded into the Christmas tree.
• 43 performances of “The Nutcracker” will take place between Nov. 25 and Dec. 31.
• 150 dancers are showcased in each performance.
• 240 classical ballet students dance throughout the performances.
• Five conductors lead the Boston Ballet Orchestra’s renowned score: Music Director Emeritus Jonathan McPhee, Principal Guest Conductor Beatrice Jona Affron and guest conductors Genevieve Leclair, Ming Luke and Craig Edwards.
For the rest of the best entertainment in Boston during the holidays, visit our Winter Arts Guide.
